Apple Music has finally released some new music, and it’s in the form of an 18-track visual album called Endless. Ocean is listed as creative director and executive producer, and there are guest vocals by Jazmine Sullivan and Sampha. A cover of the Isley Brothers’ “At Your Best (You Are Love)” also features James Blake on synthesizer and string orchestration by Radiohead’s Jonny Greenwood. Fans of Alex G. Will also be thrilled to see him credited for guitar on album tracks “Slide On Me” and “Wither” (Full credits below.) The 45-minute follow-up to Ocean’s Grammy-nominated Channel Orange was released after an Apple Music sponsored live stream — which has previously shown the elusive singer woodworking and playing instruments — from the album as he worked on a spiral staircase. According to New York Times reporter Joe Coscarelli, there will be “more from Frank” this weekend, but there are no further specifics.
. ' Released: August 20, 2016 Alternate cover Blonde (alternately titled blond) is the second by American singer.
It was released on August 20, 2016, as a timed exclusive on the and, and followed the August 19 release of Ocean's visual album. Initially known as Boys Don't Cry and teased for a July 2015 release, the album suffered several delays and was the subject of widespread media anticipation leading up to its release. The album features an abstract and experimental sound in comparison to Ocean's previous releases, and includes guest vocals from, and, among others. Production is handled by Ocean himself, alongside a variety of high-profile record producers, including and, who collaborated with Ocean on, as well as, Buddy Ross, and, among others.
Blonde debuted at number one in several countries, including the United States and the United Kingdom, and in its first week recorded sales of 232,000 copies (275,000 with album-equivalent units). Its physical release was accompanied by a magazine entitled Boys Don't Cry. The album was supported by lead single '. It received widespread acclaim from critics and appeared on the year-end lists of 2016, with naming it the third most critically acclaimed album of the year by music publications. Contents.
Background On February 21, 2013, Ocean confirmed that he had started work on his second studio album, which he confirmed would be another concept album. He revealed that he was working with, and on the record. He later stated that he was being influenced by and. He also stated that he was interested in collaborating with and and wanted to record the album in.
Ocean ultimately began recording at New York's and, after a period of, recorded in London at in addition to various other studios. In April 2014, Ocean stated that his second album was nearly finished. In June 2014, reported that the singer was working with a string of artists such as Happy Perez (whom he worked with on ), Charlie Gambetta and, while producers, and Danger Mouse were also said to be on board. On November 29, 2014, Ocean released a snippet of a new song supposedly from his upcoming follow-up to called 'Memrise' on his official page. Described the song as: 'a song which affirms that despite reportedly changing labels and management, he has maintained both his experimentation and sense of melancholy in the intervening years'. Music and composition Blonde features an abstract, atmospheric sound in comparison to Ocean's previous work, and utilizes a variety of unconventional musical elements.
Tara Joshi from wrote that its form 'isn't that of a typical pop or R&B album – it tends to meander into his surreal dreamscapes, cut with jarring samples of conversation, odd effects, drifting guitars and beatless melodies that go on longer than expected.' Described its sound as 'a mellifluous concoction of shimmering melodic haze and ambient mood, almost entirely absent of anything resembling a singalong chorus or club groove.' 's Kate Mossman characterized the album as 'cerebral, non-macho, boundary-free R&B.' Tim Jonze tenatively likened Blonde to a collection of loose sketches and compared its 'lush and atmospheric' tracks to experimental and texture-driven albums such as 's (2000) and 's (1974), writing that 'the tone is muted and introspective, full of spectral guitar and lacking not just hefty beats but any kind of percussion at all.'
Discussing its musical eclecticism, critic Jonah Weiner wrote that 'this is an R&B album in only the most elastic and expansive sense of the term' and noted that 'minimalist rock guitar and simple electric keyboard work drive numerous songs; twitchy rhythms and bizarre vocal effects creep in from the edges. Songs change shape subtly as they go, rarely ending in the same place they began.' Described the album as 'equal parts psychedelic, post-, post- / -esque -pop, post-, and post- drifty soul / R&B,' and wrote that 'experimental, druggy sonics abound.' Nina Corcoran from described Blonde as featuring an minimalist style similar to the work of, and noted that Ocean often utilizes 'acoustic and electric guitars over traditional synth and bass-heavy R&B.' Andy Gill of wrote that 'one track bleeds languidly into another, as if we're listening to a long, stoned stream-of-consciousness,' and described the album's sound as a 'glitchy, miasmic brand of R&B.' McCormick noted Ocean's use of and effects on his voice, while stated that he utilizes these to employ 'two distinct voices, like characters in a play, a recurring theme throughout the album'. Magazine's Dan Weiss compared his vocal treatments to those of 's aborted album.
McCormick also suggested that Ocean's voice and melodies obscured the experimental nature of his compositions. The track 'Seigfried' interpolates a spoken word part by and 'White Ferrari' borrows musical elements from ' song ', while 'Close to You' incorporates a sample. Guest vocalist contributes a rapid rap verse on 'Solo (Reprise)' which has been described as the album's only overt guest feature. 'Pretty Sweet' features elements and dissonant noise.
The album ends with an interview between Ocean and his brother, recorded when Ocean was 11 years old. Release and promotion On April 6, 2015, Ocean announced that his follow-up to would be released in July, as well as a publication, although no further details were released. The album was ultimately not released in July, with no explanation given for its delay.
The publication was rumored to be called Boys Don't Cry, and was slated to feature the aforementioned 'Memrise', although the track did not make the final track listing. On July 2, 2016, Ocean hinted at a possible second album with an image on his website pointing to a July release date. The image shows a library card labeled Boys Don't Cry with numerous stamps, implying various due dates. The dates begin with July 2, 2015, and conclude with July 2016, and November 13, 2016.
Ocean's brother, Ryan Breaux, further suggested this release with an caption of the same library card photo reading 'BOYS DON'T CRY #JULY2016'. On August 1, 2016, a live video hosted by showing an empty hall was launched on the website boysdontcry.co. The website also featured a new design and the video marked the first update on the website since a 'date due' post from July.
On August 1, 2016, a video appeared that showed Ocean woodworking and sporadically playing instrumentals on loop. That same day, many news outlets reported that August 5, 2016, could be the release date for Boys Don't Cry. The video was revealed to be promotion for, a 45-minute-long visual album that began streaming on Apple Music on August 19, 2016. The day after the release of Endless, Ocean posted a new picture on his website advertising four pop-up shops in, and. Commercial performance In the first week of release, Blonde debuted at number one on the US and recorded 276,000 —232,000 of which were purchases of the entire album. The songs on the album were collectively streamed more than 65.4 million times, second behind only the streams for by during that week. Estimated that Blonde earned Ocean nearly one million in profits after one week of availability, attributing this to him releasing the album and as a limited exclusive release on iTunes and Apple Music.
Blonde has generated 404 million on-demand audio streams for its songs in the US through February 9, 2017, according to Nielsen Music. The album has earned 620,000 album-equivalent units, of which 348,000 are in traditional album sales. Track listing Credits are adapted from the album's liner notes. Title Writer(s) Producer(s) Length 1. Ocean. Keith. Ho 4:53 Unlisted tracks No.
Title Writer(s) Length 18. 'Interviews' Ross 4:31 Notes. The song 'Nights' is stylized as 'Night.s' in physical releases. ^ Caramanica, Jon (November 15, 2016). From the original on December 10, 2016. Retrieved December 10, 2016. Glaysher, Scott.
From the original on 25 November 2016. Retrieved 25 November 2016. Hautman, Nicholas.
From the original on November 26, 2016. Retrieved November 25, 2016. Kreps, Daniel. From the original on November 26, 2016.
Retrieved November 25, 2016. Arceneaux, Michael. From the original on November 25, 2016.
Retrieved November 25, 2016. ^ Weiner, Jonah (August 22, 2016).
From the original on August 23, 2016. Retrieved August 23, 2016. Robehmed, Natalie (August 23, 2016). From the original on August 25, 2016. Retrieved August 26, 2016. Kreps, Daniel; Elias, Leight; Jon, Blistein. From the original on August 21, 2016.
Retrieved August 21, 2016. From the original on August 21, 2016. Retrieved August 21, 2016. From the original on 2017-08-27. Free pinnacle studio 9 activation key.
Dunham, Jess. From the original on September 24, 2016. Retrieved September 24, 2016. Hughes, Hilary. From the original on September 24, 2016.
Retrieved September 24, 2016. Lachno, James. From the original on September 9, 2016.
Retrieved September 24, 2016. From the original on September 24, 2016. Retrieved September 24, 2016. From the original on 2016-08-01.
February 21, 2013. From the original on March 1, 2013. Retrieved June 16, 2013. February 20, 2013. From the original on February 23, 2013. Retrieved June 16, 2013. Britton, Luke Morgan (September 5, 2016).
From the original on September 24, 2016. Retrieved September 23, 2016. Archived from on 2014-12-05. Hampp, Andrew (September 15, 2014). From the original on August 6, 2016. Retrieved August 1, 2016. November 28, 2014.
From the original on August 20, 2016. Retrieved August 1, 2016. ^ Mossman, Kate (August 28, 2016). From the original on September 30, 2016. Retrieved September 30, 2016.
^ Joshi, Tara (August 25, 2016). From the original on August 28, 2016. Retrieved August 28, 2016.
^ (August 22, 2016). From the original on August 22, 2016. Retrieved August 22, 2016. ^ Jonze, Tim (August 25, 2016).
From the original on August 26, 2016. Retrieved August 26, 2016. Powers, Ann. From the original on 14 December 2016. Retrieved 14 December 2016.
Corcoran, Nina. From the original on October 31, 2016. Retrieved October 24, 2016.
^ Gill, Andy (August 24, 2016). From the original on August 25, 2016. Retrieved August 26, 2016. (August 21, 2016).
From the original on August 25, 2016. Retrieved August 26, 2016. ^ Weiss, Dan (August 23, 2016). From the original on August 23, 2016. Retrieved August 24, 2016.
Byford, Sam (April 7, 2015). From the original on August 24, 2016.
Retrieved August 1, 2016. Beauchemin, Molly (April 6, 2015). From the original on August 12, 2016. Retrieved August 1, 2016. April 7, 2015. From the original on August 20, 2016. Retrieved August 1, 2016.
Ivie, Devon (July 2, 2016). From the original on August 7, 2016. Retrieved August 1, 2016. Monroe, Jazz (August 1, 2016).
From the original on August 1, 2016. Retrieved August 1, 2016. From the original on 2017-02-16. From the original on 2017-09-20. Pereira, Alyssa (November 9, 2016).
From the original on March 1, 2017. Retrieved February 28, 2017.
Gaca, Anna (August 21, 2016). From the original on March 1, 2017. Retrieved February 28, 2017. Kim, Michelle (August 20, 2016). From the original on January 20, 2017. Retrieved February 27, 2017.
Horowitz, Steven J. (August 20, 2016).
From the original on February 28, 2017. Retrieved February 27, 2017. Evans, Lauren (August 20, 2016). Retrieved December 10, 2016. August 20, 2016. From the original on August 21, 2016.
From the original on October 31, 2016. Retrieved October 31, 2016. From the original on September 12, 2016.
Retrieved September 10, 2016. ^ Kellman, Andy. From the original on August 27, 2016. Retrieved August 24, 2016.
Brown, Eric Renner (August 23, 2016). From the original on August 24, 2016. Retrieved August 23, 2016.
^ Dombal, Ryan (August 24, 2016). From the original on August 26, 2016. Retrieved August 24, 2016. (August 26, 2016). Retrieved September 17, 2016. (subscription required).
^ (September 16, 2016). From the original on September 24, 2016. Retrieved September 19, 2016. Cowan, Andy (August 24, 2016). From the original on August 25, 2016. Retrieved August 26, 2016. Dietz, Jason (November 28, 2016).
From the original on December 11, 2016. Retrieved December 11, 2016. December 5, 2016. Retrieved December 5, 2016. November 27, 2016. From the original on November 30, 2016.
Retrieved December 4, 2016. November 30, 2016.
From the original on March 15, 2017. Retrieved December 15, 2016. November 30, 2016. From the original on December 1, 2016. Retrieved December 4, 2016. November 22, 2016. From the original on November 22, 2016.
Retrieved December 4, 2016. November 24, 2016. From the original on April 25, 2017. Retrieved December 4, 2016.
November 30, 2016. From the original on December 1, 2016.
Retrieved December 4, 2016. From the original on December 13, 2016. Retrieved December 13, 2016. November 29, 2016. From the original on December 2, 2016. Retrieved December 4, 2016. December 1, 2016.
From the original on December 2, 2016. Retrieved December 4, 2016. December 12, 2016. From the original on February 16, 2017.
Retrieved December 15, 2016. December 1, 2016. From the original on December 3, 2016. Retrieved December 4, 2016. November 22, 2016.
From the original on November 28, 2016. Retrieved December 4, 2016. ^ Caulfield, Kevin (August 28, 2016). From the original on August 29, 2016. Retrieved August 29, 2016.
Robehmed, Natalie (August 30, 2016). From the original on August 30, 2016.
Retrieved August 31, 2016. Aniftos, Rania (February 13, 2017). From the original on February 14, 2017. Retrieved February 13, 2017. John Kennedy (December 12, 2016). From the original on December 14, 2016.
Retrieved December 19, 2016. Michelle Kim (August 21, 2016). From the original on February 25, 2017. Retrieved February 26, 2017. August 24, 2016. From the original on December 21, 2016. Retrieved December 13, 2016.
Alex Robert Ross (September 24, 2016). Retrieved December 19, 2016. From the original on December 20, 2016. Retrieved December 13, 2016. From the original on December 20, 2016.
Retrieved December 12, 2016. Retrieved August 27, 2016. (in Dutch). Retrieved August 26, 2016.
(in French). Retrieved August 26, 2016. Retrieved August 30, 2016.
Retrieved August 31, 2016. (in Dutch). Retrieved August 26, 2016.
' (in Finnish). Retrieved August 28, 2016. Retrieved August 26, 2016. Retrieved August 26, 2016. Retrieved August 26, 2016.
Retrieved August 27, 2016. Retrieved August 27, 2016. Retrieved August 26, 2016. Retrieved August 27, 2016. Retrieved September 2, 2016. Retrieved August 30, 2016.
From the original on January 6, 2017. Retrieved January 6, 2017.
2017-02-02 at the. Australian Recording Industry Association. Retrieved July 9, 2017. 2016-12-29 at the. Retrieved July 9, 2017. (in Danish). From the original on December 30, 2016.
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Retrieved December 31, 2016. From the original on December 26, 2016. Retrieved December 25, 2016. From the original on April 3, 2015. Retrieved December 31, 2016.
From the original on December 8, 2016. Retrieved December 9, 2016. Prometheus Global Media. Retrieved July 9, 2017. Retrieved January 11, 2018. Recorded Music NZ. Retrieved December 22, 2017.
Retrieved December 12, 2017. September 20, 2017.
From the original on September 19, 2017. Retrieved September 20, 2017. Enter Blonde in the search field and then press Enter. External links.
at (list of releases).
. ' Released: August 20, 2016 Alternate cover Blonde (alternately titled blond) is the second by American singer. It was released on August 20, 2016, as a timed exclusive on the and, and followed the August 19 release of Ocean's visual album. Initially known as Boys Don't Cry and teased for a July 2015 release, the album suffered several delays and was the subject of widespread media anticipation leading up to its release.
The album features an abstract and experimental sound in comparison to Ocean's previous releases, and includes guest vocals from, and, among others. Production is handled by Ocean himself, alongside a variety of high-profile record producers, including and, who collaborated with Ocean on, as well as, Buddy Ross, and, among others.
Blonde debuted at number one in several countries, including the United States and the United Kingdom, and in its first week recorded sales of 232,000 copies (275,000 with album-equivalent units). Its physical release was accompanied by a magazine entitled Boys Don't Cry.
The album was supported by lead single '. It received widespread acclaim from critics and appeared on the year-end lists of 2016, with naming it the third most critically acclaimed album of the year by music publications.
Contents. Background On February 21, 2013, Ocean confirmed that he had started work on his second studio album, which he confirmed would be another concept album.
He revealed that he was working with, and on the record. He later stated that he was being influenced by and.
He also stated that he was interested in collaborating with and and wanted to record the album in. Ocean ultimately began recording at New York's and, after a period of, recorded in London at in addition to various other studios. In April 2014, Ocean stated that his second album was nearly finished. In June 2014, reported that the singer was working with a string of artists such as Happy Perez (whom he worked with on ), Charlie Gambetta and, while producers, and Danger Mouse were also said to be on board. On November 29, 2014, Ocean released a snippet of a new song supposedly from his upcoming follow-up to called 'Memrise' on his official page. Described the song as: 'a song which affirms that despite reportedly changing labels and management, he has maintained both his experimentation and sense of melancholy in the intervening years'.
Music and composition Blonde features an abstract, atmospheric sound in comparison to Ocean's previous work, and utilizes a variety of unconventional musical elements. Tara Joshi from wrote that its form 'isn't that of a typical pop or R&B album – it tends to meander into his surreal dreamscapes, cut with jarring samples of conversation, odd effects, drifting guitars and beatless melodies that go on longer than expected.' Described its sound as 'a mellifluous concoction of shimmering melodic haze and ambient mood, almost entirely absent of anything resembling a singalong chorus or club groove.' 's Kate Mossman characterized the album as 'cerebral, non-macho, boundary-free R&B.' Tim Jonze tenatively likened Blonde to a collection of loose sketches and compared its 'lush and atmospheric' tracks to experimental and texture-driven albums such as 's (2000) and 's (1974), writing that 'the tone is muted and introspective, full of spectral guitar and lacking not just hefty beats but any kind of percussion at all.' Discussing its musical eclecticism, critic Jonah Weiner wrote that 'this is an R&B album in only the most elastic and expansive sense of the term' and noted that 'minimalist rock guitar and simple electric keyboard work drive numerous songs; twitchy rhythms and bizarre vocal effects creep in from the edges. Songs change shape subtly as they go, rarely ending in the same place they began.'
Described the album as 'equal parts psychedelic, post-, post- / -esque -pop, post-, and post- drifty soul / R&B,' and wrote that 'experimental, druggy sonics abound.' Nina Corcoran from described Blonde as featuring an minimalist style similar to the work of, and noted that Ocean often utilizes 'acoustic and electric guitars over traditional synth and bass-heavy R&B.' Andy Gill of wrote that 'one track bleeds languidly into another, as if we're listening to a long, stoned stream-of-consciousness,' and described the album's sound as a 'glitchy, miasmic brand of R&B.'
McCormick noted Ocean's use of and effects on his voice, while stated that he utilizes these to employ 'two distinct voices, like characters in a play, a recurring theme throughout the album'. Magazine's Dan Weiss compared his vocal treatments to those of 's aborted album. McCormick also suggested that Ocean's voice and melodies obscured the experimental nature of his compositions. The track 'Seigfried' interpolates a spoken word part by and 'White Ferrari' borrows musical elements from ' song ', while 'Close to You' incorporates a sample.
Guest vocalist contributes a rapid rap verse on 'Solo (Reprise)' which has been described as the album's only overt guest feature. 'Pretty Sweet' features elements and dissonant noise. The album ends with an interview between Ocean and his brother, recorded when Ocean was 11 years old.
Release and promotion On April 6, 2015, Ocean announced that his follow-up to would be released in July, as well as a publication, although no further details were released. The album was ultimately not released in July, with no explanation given for its delay. The publication was rumored to be called Boys Don't Cry, and was slated to feature the aforementioned 'Memrise', although the track did not make the final track listing. On July 2, 2016, Ocean hinted at a possible second album with an image on his website pointing to a July release date. The image shows a library card labeled Boys Don't Cry with numerous stamps, implying various due dates. The dates begin with July 2, 2015, and conclude with July 2016, and November 13, 2016. Ocean's brother, Ryan Breaux, further suggested this release with an caption of the same library card photo reading 'BOYS DON'T CRY #JULY2016'.
On August 1, 2016, a live video hosted by showing an empty hall was launched on the website boysdontcry.co. The website also featured a new design and the video marked the first update on the website since a 'date due' post from July. On August 1, 2016, a video appeared that showed Ocean woodworking and sporadically playing instrumentals on loop. That same day, many news outlets reported that August 5, 2016, could be the release date for Boys Don't Cry. The video was revealed to be promotion for, a 45-minute-long visual album that began streaming on Apple Music on August 19, 2016.
The day after the release of Endless, Ocean posted a new picture on his website advertising four pop-up shops in, and. Commercial performance In the first week of release, Blonde debuted at number one on the US and recorded 276,000 —232,000 of which were purchases of the entire album. The songs on the album were collectively streamed more than 65.4 million times, second behind only the streams for by during that week.
Estimated that Blonde earned Ocean nearly one million in profits after one week of availability, attributing this to him releasing the album and as a limited exclusive release on iTunes and Apple Music. Blonde has generated 404 million on-demand audio streams for its songs in the US through February 9, 2017, according to Nielsen Music.
The album has earned 620,000 album-equivalent units, of which 348,000 are in traditional album sales. Track listing Credits are adapted from the album's liner notes.
Title Writer(s) Producer(s) Length 1. Ocean. Keith. Ho 4:53 Unlisted tracks No.
Title Writer(s) Length 18. 'Interviews' Ross 4:31 Notes. The song 'Nights' is stylized as 'Night.s' in physical releases. ^ Caramanica, Jon (November 15, 2016). From the original on December 10, 2016. Retrieved December 10, 2016. Glaysher, Scott.
From the original on 25 November 2016. Retrieved 25 November 2016. Hautman, Nicholas. From the original on November 26, 2016. Retrieved November 25, 2016. Kreps, Daniel.
From the original on November 26, 2016. Retrieved November 25, 2016. Arceneaux, Michael. From the original on November 25, 2016. Retrieved November 25, 2016. ^ Weiner, Jonah (August 22, 2016).
From the original on August 23, 2016. Retrieved August 23, 2016. Robehmed, Natalie (August 23, 2016). From the original on August 25, 2016.
Retrieved August 26, 2016. Kreps, Daniel; Elias, Leight; Jon, Blistein. Best smtp relay software. From the original on August 21, 2016.
Retrieved August 21, 2016. From the original on August 21, 2016. Retrieved August 21, 2016. From the original on 2017-08-27. Dunham, Jess. From the original on September 24, 2016.
Retrieved September 24, 2016. Hughes, Hilary. From the original on September 24, 2016. Retrieved September 24, 2016. Lachno, James.
From the original on September 9, 2016. Retrieved September 24, 2016. From the original on September 24, 2016. Retrieved September 24, 2016. From the original on 2016-08-01. February 21, 2013.
From the original on March 1, 2013. Retrieved June 16, 2013. February 20, 2013. From the original on February 23, 2013. Retrieved June 16, 2013. Britton, Luke Morgan (September 5, 2016).
From the original on September 24, 2016. Retrieved September 23, 2016. Archived from on 2014-12-05.
Hampp, Andrew (September 15, 2014). From the original on August 6, 2016. Retrieved August 1, 2016. November 28, 2014. From the original on August 20, 2016. Retrieved August 1, 2016. ^ Mossman, Kate (August 28, 2016).
From the original on September 30, 2016. Retrieved September 30, 2016. ^ Joshi, Tara (August 25, 2016).
From the original on August 28, 2016. Retrieved August 28, 2016. ^ (August 22, 2016). From the original on August 22, 2016. Retrieved August 22, 2016. ^ Jonze, Tim (August 25, 2016). From the original on August 26, 2016.
Retrieved August 26, 2016. Powers, Ann. From the original on 14 December 2016. Retrieved 14 December 2016. Corcoran, Nina. From the original on October 31, 2016. Retrieved October 24, 2016.
^ Gill, Andy (August 24, 2016). From the original on August 25, 2016. Retrieved August 26, 2016. (August 21, 2016). From the original on August 25, 2016.
Retrieved August 26, 2016. ^ Weiss, Dan (August 23, 2016). From the original on August 23, 2016. Retrieved August 24, 2016. Byford, Sam (April 7, 2015). From the original on August 24, 2016. Retrieved August 1, 2016.
Beauchemin, Molly (April 6, 2015). From the original on August 12, 2016. Retrieved August 1, 2016. April 7, 2015. From the original on August 20, 2016.
Retrieved August 1, 2016. Ivie, Devon (July 2, 2016). From the original on August 7, 2016. Retrieved August 1, 2016.
Monroe, Jazz (August 1, 2016). From the original on August 1, 2016. Retrieved August 1, 2016.
From the original on 2017-02-16. From the original on 2017-09-20. Pereira, Alyssa (November 9, 2016). From the original on March 1, 2017. Retrieved February 28, 2017.
Gaca, Anna (August 21, 2016). From the original on March 1, 2017. Retrieved February 28, 2017. Kim, Michelle (August 20, 2016).
From the original on January 20, 2017. Retrieved February 27, 2017. Horowitz, Steven J. (August 20, 2016). From the original on February 28, 2017. Retrieved February 27, 2017. Evans, Lauren (August 20, 2016).
Retrieved December 10, 2016. August 20, 2016. From the original on August 21, 2016. From the original on October 31, 2016. Retrieved October 31, 2016. From the original on September 12, 2016.
Retrieved September 10, 2016. ^ Kellman, Andy. From the original on August 27, 2016.
Retrieved August 24, 2016. Brown, Eric Renner (August 23, 2016). From the original on August 24, 2016. Retrieved August 23, 2016. ^ Dombal, Ryan (August 24, 2016).
From the original on August 26, 2016. Retrieved August 24, 2016. (August 26, 2016).
Retrieved September 17, 2016. (subscription required). ^ (September 16, 2016). From the original on September 24, 2016. Retrieved September 19, 2016. Cowan, Andy (August 24, 2016).
From the original on August 25, 2016. Retrieved August 26, 2016.
Dietz, Jason (November 28, 2016). From the original on December 11, 2016. Retrieved December 11, 2016. December 5, 2016. Retrieved December 5, 2016.
November 27, 2016. From the original on November 30, 2016.
Retrieved December 4, 2016. November 30, 2016. From the original on March 15, 2017. Retrieved December 15, 2016. November 30, 2016. From the original on December 1, 2016.
Retrieved December 4, 2016. November 22, 2016. From the original on November 22, 2016. Retrieved December 4, 2016. November 24, 2016. From the original on April 25, 2017.
Retrieved December 4, 2016. November 30, 2016. From the original on December 1, 2016. Retrieved December 4, 2016. From the original on December 13, 2016.
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December 1, 2016. From the original on December 2, 2016. Retrieved December 4, 2016.
December 12, 2016. From the original on February 16, 2017. Retrieved December 15, 2016. December 1, 2016. From the original on December 3, 2016. Retrieved December 4, 2016.
November 22, 2016. From the original on November 28, 2016. Retrieved December 4, 2016. ^ Caulfield, Kevin (August 28, 2016). From the original on August 29, 2016. Retrieved August 29, 2016.
Robehmed, Natalie (August 30, 2016). From the original on August 30, 2016. Retrieved August 31, 2016. Aniftos, Rania (February 13, 2017). From the original on February 14, 2017. Retrieved February 13, 2017. John Kennedy (December 12, 2016).
From the original on December 14, 2016. Retrieved December 19, 2016. Michelle Kim (August 21, 2016).
From the original on February 25, 2017. Retrieved February 26, 2017. August 24, 2016.
From the original on December 21, 2016. Retrieved December 13, 2016. Alex Robert Ross (September 24, 2016). Retrieved December 19, 2016. From the original on December 20, 2016.
Retrieved December 13, 2016. From the original on December 20, 2016. Retrieved December 12, 2016. Retrieved August 27, 2016.
(in Dutch). Retrieved August 26, 2016. (in French). Retrieved August 26, 2016.
Retrieved August 30, 2016. Retrieved August 31, 2016. (in Dutch). Retrieved August 26, 2016. ' (in Finnish). Retrieved August 28, 2016. Retrieved August 26, 2016.
Retrieved August 26, 2016. Retrieved August 26, 2016. Retrieved August 27, 2016. Retrieved August 27, 2016. Retrieved August 26, 2016. Retrieved August 27, 2016.
Retrieved September 2, 2016. Retrieved August 30, 2016. From the original on January 6, 2017. Retrieved January 6, 2017. 2017-02-02 at the.
Australian Recording Industry Association. Retrieved July 9, 2017. 2016-12-29 at the. Retrieved July 9, 2017.
(in Danish). From the original on December 30, 2016. Retrieved December 31, 2016. From the original on December 26, 2016.
Retrieved December 25, 2016. From the original on April 3, 2015. Retrieved December 31, 2016. From the original on December 8, 2016. Retrieved December 9, 2016. Prometheus Global Media.
Retrieved July 9, 2017. Retrieved January 11, 2018.
Recorded Music NZ. Retrieved December 22, 2017. Retrieved December 12, 2017. September 20, 2017. From the original on September 19, 2017. Retrieved September 20, 2017. Enter Blonde in the search field and then press Enter.
External links. at (list of releases).
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